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Jason Paul Tate

Visiting Assistant Professor,

FSU/Asolo Conservatory, Actor Training

School of Theatre

jasonpaultate.com

Jason Paul Tate is a director, choreographer, performer, and special effects designer originally from Kentucky and now based bi-coastally in New York City and San Diego. He is known for creating abstract and deconstructed depictions of violence, and is passionate about consent-forward, radically inclusive theatre-making. Tate’s work has appeared onstage at the Metropolitan Opera, the Public’s Delacorte, and other notable NYC venues, including Ars Nova, BAM, Classic Stage, and Rattlestick Playwright’s Theatre. He was the fight choreographer for the world premiere of Watch Night, the inaugural production at PAC-NYC. Tate has also worked internationally at the Edinburgh Fringe, and in 24 states, including regional credits at A.R.T., Bucks County Playhouse, Cleveland Playhouse, Florida Repertory Theatre, Great Lakes Theatre, Idaho Shakespeare Festival, Lake Tahoe Shakespeare Festival, the Old Globe, On Site Opera, the Ordway, Pensacola Opera, River & Rail, Shakespeare Theatre of New Jersey, Theatre Lab, Tuacahn, and Virginia Stage Company. He is the resident fight director and SFX designer for the Tony-Award winning outdoor drama, The Lost Colony. As a guest instructor and professor, Tate has taught and choreographed productions for The New School, New York Film Academy, Hofstra University, Florida State University, the Asolo Conservatory, Coastal Carolina University, Ole Miss, Austin Peay State University, University of Kentucky, University of Central Florida, University of North Carolina-Charlotte, Berea College, Transylvania University, Texas A&M University Corpus Christi and the University of North Carolina School for the Arts. Tate is the co-founder of Neutral Chaos, LLC, a movement solutions company offering classes in New York City, and the producing entity for several annual stage combat & stunt workshops across the country. He is on the advisory board of the Connecticut Theatre Exchange, and is a proud member of the Stage Directors and Choreographers Society (SDC) and Actors’ Equity Association (AEA). He currently serves as the Vice President of the Society of American Fight Directors (SAFD), with whom he is also a Certified Teacher and Fight Director.

Contact and Files

Education

BFA, Acting. Florida State University 2009

Teaching Areas

Movement, Stage Combat, Theatrical Intimacy

Research Areas

Representations of Violence in Entertainment/Media Representations of Intimacy in Entertainment/Media Anti-Capitalist Theatre Practices

Select Scholarly/Creative Works & Awards

  • Alice in Wonderland written by Jake & Darby Guinn. Havoc Movement Company, Director – World Premiere.
  • Watch Night co-conceived & written by Marc Bamuthi Joseph, co-conceived & directed/choreographed by Bill T. Jones, composed by Tamar-kali. PAC-NYC, Fight Director – World Premiere.
  • The Play that Goes Wrong directed by Melissa Rain Anderson. Cleveland Playhouse, Fight & Intimacy Director.
  • Noises Off! directed by Hunter Foster. Bucks County Playhouse, Fight & Movement Director.
  • Love’s Labour’s Lost directed by Tyne Rafaeli. Great Lakes Theatre, Idaho & Lake Tahoe Shakespeare Festivals, Movement Director.

Additional Scholarly/Creative Works & Awards

  • Arrabal directed by Sergio Trujillo, co-choreographed by Sergio Trujillo & Julio Zurita. American Repertory Theatre, Fight Director – US Premiere.
  • Henry V directed by Johanna McKeon. The Old Globe, Fight & Movement Director.
  • The Lost Colony directed & choreographed by Jeff Whiting. Waterside Theatre, Resident Fight Director & SFX Designer.
  • Lady Macbeth of Mtsensk, original direction by Graham Vick, choreographed by Ron Howell. Metropolitan Opera, Performer.
  • Coriolanus directed by Dan Sullivan. The Public Theatre (Shakespeare in the Park), Performer & Associate Fight Director.