Music and Lyrics by Dolly Parton| Book by Patricia Resnick | Based on the 20th Century Fox Picture |Originally Produced on Broadway  by Robert Greenblatt, April 2009 | Ochestrator Bruce Coughlin | Arrangements and Additional Ochestrations Stephen Oremus & Alex Lacamoire

Pour yourself a cup of ambition! Pushed to the boiling point, three coworkers concoct a plan to get even with their sexist, egotistical, lying, hypocritical boss. Violet, Judy, and Doralee live out their wildest dreams: giving their boss the boot, sticking it to “the Man”, and giving their workplace a makeover that proves the future is female.

9 TO 5, THE MUSICAL is presented through special arrangement with Music Theatre International (MTI). All authorized performance are also supplied by MTI. www.mtishows.com

by Aditi Brennan Kapil

Imogen was probably a typo by Shakespeare, a character who never says anything despite being listed as part of the cast of Much Ado About Nothing. But in this topsy turvy comedy, Imogen is much ado about everything: a bear disguised as a human who transforms the Lord Chamberlain’s Men with her lawbreaking actions, opinionated voice, and fearless wit. This thought-provoking, contemporary play turns 1598 inside out, making William Shakespeare the least important person onstage and Imogen the loudest voice in the room.

IMOGEN SAYS NOTHING is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

IMOGEN SAYS NOTHING was commisioned by Yale Reporatory Theater, New Haven, Connecticut. James Bundy, Artistic Director, Victoria Nolan, Managin Director and received its first public production on January 20th, 2017

It’s not easy being a pigeon; pigeons never get to do ANYTHING! But when the Bus Driver has a crisis that threatens to make her passengers (gasp!) late, maybe one wily bird CAN do something after all… Featuring an innovative mix of songs, Don’t Let the Pigeon Drive the Bus! The Musical! is sure to make you shake a tailfeather.

DON’T LET THE PIGEON DRIVE THE BUS is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

This play was commissioned by the John F. Kennedy Center for the Performing Arts and was first produced at the Kennedy Center during the 2019 – 2020 Season.

by Dave Malloy 

Natasha, Pierre & The Great Comet of 1812 is an electro pop opera based on a scandalous slice of Leo Tolstoy’s War and Peace. Young and impulsive, Natasha Rostova arrives in Moscow to await the return of her fiancé from the front lines. When she falls under the spell of the roguish Anatole, it is up to Pierre, a family friend in the middle of an existential crisis, to pick up the pieces of her shattered reputation.

by Branden Jacob Jenkins

A modern take on the fourteenth-century morality play Everyman, this new play follows the character of Everybody (chosen from amongst the cast by lottery at each performance!) as they journey through the meaning of life, and most importantly, of death.

World Premiere produced by Signature Theatre, New York City (Paige Evans, Director; Erika Mallin, Executive Director; James Houghton, Founder)